eprintid: 6064
rev_number: 20
userid: 174
dir: disk0/00/00/60/64
datestamp: 2011-08-17 16:10:10
lastmod: 2020-07-31 18:59:29
status_changed: 2011-08-17 16:10:10
type: article
metadata_visibility: show
contact_email: ema37@pitt.edu
item_issues_count: 0
eprint_status: archive
creators_name: Madison, Michael J
creators_email: madison@pitt.edu
creators_id: MADISON
creators_orcid: 0000-0001-6503-754X
title: Comment: Where Does Creativity Come From? And Other Stories of Copyright
ispublished: pub
divisions: sch_law_law
divisions: sch_law_law_facultypub
full_text_status: public
abstract: This commentary on Lydia Pallas Loren, Untangling the Web of Music Copyrights, 53 Case W. Res. L. Rev. 673 (2003), observes that debates over a variety of copyright law issues can be - and in fact, often are - structured in narrative terms, rather than in terms of doctrine, policy, or empirical inquiry. I suggest a series of such narratives, each framed by a theme drawn from a feature film. The Commentary suggests that we should recognize more clearly the role of narrative in intellectual property discourse, and that intellectual property narratives should be examined critically.
date: 2003
date_type: published
publication: Case Western Reserve Law Review
volume: 53
number: 3
pagerange: 747 - 765
institution: University of Pittsburgh
refereed: TRUE
issn: 0008-7262
related_url_url: http://ssrn.com/abstract=517943
citation:   Madison, Michael J  (2003) Comment: Where Does Creativity Come From? And Other Stories of Copyright.  Case Western Reserve Law Review, 53 (3).  747 - 765.  ISSN 0008-7262     
document_url: http://d-scholarship-dev.library.pitt.edu/6064/1/Where_Does_Creativity_Come_from_And_Other_Stories_of_Copyright.pdf
document_url: http://d-scholarship-dev.library.pitt.edu/6064/8/licence.txt